Where is kleinhans music hall

From performances to weddings, corporate meetings, and everything in between, Kleinhans and its catering teams have you covered. View extraordinary exterior and interior images of Kleinhans taken by Buffalo State College students and architectural photographers.

Join us for our outstanding season. Click the button below to explore our upcoming events and purchase tickets. Kleinhans Music Hall. November 12, at pm. You will receive an email if your content is approved for posting on the site. Our documentary production team may also reach out to you via email to learn more about your memories of Kleinhans. Please only provide your email address where prompted to in the tool, as this will not be made public.

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Nov 20, I was Bob Dylan at Kleinhans. It felt like church - you could hear a pin drop as we hung on every word. All hell broke loose. Half the crowd booed and stomped their feet. The other half us included loved it. I became a life-long fan. I asked my parents for Dylan albums for Christmas and they gave me all 6 of them. It was a life-changing event. Dylan went on to tour the US and the UK. The crowds booed but he persisted. I was there in Nov.

It was awesome. The concert hall has been a part of my life from the start. I still have ticket stubs from seeing the Who in perform Tommy first row balcony!!! Excerpts Good Enough for Buffalo? Eliel and Eero Saarinen , with F. Acoustical consultant:. North Elevation photo Frederick Chopin statue West Elevation - Main Entrance Musical scale? Note steel reinforced concrete cantilevered roof. Kleinhans estate furnishings: Queen Anne style wing chair - Private collection C.

The project also received funds from the Works Progress Administration. The Buffalo Philharmonic Orchestra has used the hall as its home since Kleinhans first opened. The music hall was built between and designed by the Finnish-American father-and-son team of Eliel and Eero Saarinen in the International style.

The predominant lines of the music hall both outside and inside are smoothly curvilinear and sweeping, suggesting not only the shape of a stringed musical instrument but the shape of music itself in its motion and flow.

The design resembles the shape of a violin or cello with the two lobes of the instrument housing the larger and the smaller concert auditoriums in the building. Thus, the shape of the structure suggests its function.

A certain amount of contemporary architecture follows this practice Another example from Eero Saarinen's oeuvre is the TWA Building at Kennedy Airport, which resembles a bird's spreading wings.

The curving shapes of the exterior, which faithfully reflect interior volumes, look forward to Eero's later architecture, while the clean lines and careful craftsmanship, evident on the interior, hark back to the elder Saarinen's devotion to Arts and Crafts ideals.

The east end facing Symphony Circle is mirrored in reflecting pools. Inside the music hall, the orphic form of the flaring, wood-paneled auditorium gives almost literal embodiment to Schelling's contention that architecture is frozen music. Although acoustically superb, the main performance hall is almost austerely plain, perhaps to keep the audience from being diverted from the music.