My voice is bad can i sing

Article Summary. Part 1. Maintain correct posture. To sing properly, make sure you have good posture. You should be standing or sitting up with a straight back. Your body should not be tilted to one side or the other. Make sure your head isn't tipped back or forwards. Or, stand against a wall so that your shoulders and the back of your head are in contact with the wall. Learn to breathe from your diaphragm. Correct breathing is one of the most important things when singing.

When you breathe, make sure you are taking air from your diaphragm instead of your chest. This means when you breathe in, your abdomen will expand instead of your chest. When you sing, you will push down on the diaphragm when you ascend a scale and release when you come back down the scale. To practice, place a hand on your stomach and inhale through your nose. Your abdomen should expand and jut out when you breathe in. Your chest should not move out or up. As you exhale, push down and contract the abdominal muscles.

It should feel like doing a sit up. Repeat until this is natural when you are singing. An alternative way to practice is to lay on the floor and put a book on your abdomen. Ensure the book rises when you inhale and lowers when you exhale. Open your vowels. One quick way to improve your singing is to open your vowels. This is called open throat technique. To achieve this, start by saying "ah" or "uh. You want to separate your tongue from your soft palette and keep them separated while you sing.

Your tongue should be against your bottom jaw. This gives you better quality. Your jaw should not close on any of those. If you can't keep your jaw down, use your fingers to encourage your jaw to move down. Keep repeating the vowels until you can say them with your mouth open. Sing the vowels. Keep the jaw open while you sing them like you did while saying them. Then sing a phrase and open the jaw when you sing each vowel.

This will probably take some practice to achieve, but it will help improve the quality of your singing. Keep your chin parallel to the floor. When you are singing higher notes and trying to get power, avoid lifting or dropping your chin. Your head has a tendency to move up as you sing higher notes, which can cause problems with your vocal chords.

Singing while focusing on keeping the chin parallel with the floor helps give your voice more power and control. Extend your vocal range.

First, you must find your vocal range. After you have done that, you can begin to increase your vocal range. To do this, you must have proper technique. You must have non-airy vowels and proper resonance in your voice before you try to extend your vocal range.

To extend your vocal range, do it a half-step or full step at a time. Practice with short scales and get comfortable singing that new note properly before trying to push your voice any higher or lower. Taking lessons from a vocal coach is the safest, most effective way of increasing your range.

Transition between the different voice areas. Your voice is made up of 3 areas. Moving between these areas changes the resonance of your voice. Learning how to control this change can help improve your singing.

The male voice has 2 areas: middle voice and falsetto. Falsetto notes are high, while notes from the middle voice are lower. The female voice has 3 different areas: the chest register, the head register, and the middle register. Each of these areas refers to the range of notes sung from that section of the body.

Head voice is the higher area. When you sing high notes, they will resonate in your head. Place your hand on the top of your head as you sing high notes to feel the vibrations. Chest voice is the lower area of your singing voice. When you sing lower notes, they will resonate in your chest. Middle voice - or mixed voice - is the middle area between your chest voice and head voice. This area is where your voice will shift from the chest to the head to properly sing the notes.

You should feel the notes moving up towards your head or down to your chest as you sing. Don't keep the notes in the same place as you ascend or descend. This will limit the quality of your voice. Drink water. Water helps keep the vocal cords moist and fluid so they can easily open and close. You can also drink any other unsweetened, decaffeinated, non-alcoholic beverage for the same effect.

Aim to have at least 2 cups mL of water a day. Drink something warm such as warm water or warm tea with honey. Over the years, many neurobiologists have investigated musical ability, exploring how and why we create music, the relationships between song and language, and other mysteries of musical cognition.

Hutchins, who has a lovely singing voice himself, is an expert in musical aptitude. His work centers on the puzzle of why musical talent, particularly singing, differs so widely among us. Much to my delight, he tells me that his research explores why some people with musical aptitude struggle to carry a tune. It turns out that even though I have a terrible voice, there are some fascinating things going on in my brain — and in the brains of all poor singers like me.

We all know bad singing when we hear it. But bad singing also has a scientific definition. It involves a deficiency in three areas: pitch accuracy, the ability to keep time and note memory remembering the words and how long a note is sustained. The research shows that most people, regardless of musical training, are quite good at two of the three elements: timing and note memory.

Instead, the usual cause of bad singing is a problem with pitch accuracy, also called intonation. Being off by more than a half semitone 50 cents is considered poor singing. Overall, Hutchins found that about 60 percent of non-musicians could be classified as bad singers because of pitch accuracy errors.

Science has proven what anyone who watches American Idol already knows: Most people really cannot carry a tune. In , Hutchins began exploring why so many of us struggle with pitch accuracy. He quickly found that the muscles in their throats were not to blame, and they were all physically capable of hitting a note. I've had many people tell me it is "different" for me because I grasp things differently. I learned this over my lifetime. I'm sure I didn't understand anything as a baby. I'm not awesome at music but after nearly a decade of training I can play a dozen instruments reasonably well.

People who are "naturals" at singing simply trained themselves in a different way than normal people recognize. Dan May 26, at am I can hit the notes some of them at least. I know the breathing techniques. I know it all has to be timed and when to time it. I'm familiar with music theory and how to read it. I just don't sound good when I do it. Admittingly, I'm not a powerhouse or a bravado singer.

But I don't need to be louder when I've leaned so much and still sound like shit. It's my voice. A pianist can't work with a broken piano Steve August 01, at am Yeah, the article doesn't touch on the fact that you can learn to play an instrument with a pretty cheap one and then, when you're good with it, upgrade to a really nice one so you sound amazing. No so with voice. You get one voice. If you sound like a nasally crocodile, better find something else to be famous for like Bob Dylan with his storyteller-singing.

They can tune the remaining strings to play any song they need and give the guitar versatility. Your voice is no different. While a great guitar might sound better - you probably wouldn't notice the difference. Heck, there are people who can play a whole song with a tin can and a piece of string that sounds awesome.

A tape recorder works well for this, but you can use a smartphone, IPad, computer, and a myriad of other devices to do this. Check out these portable digital recorders which work well. Listen carefully to the recording and discern whether you are on pitch. Our editor in chief Tyler has prepared a guide in which he shares 8 Secret Singing Tips. Download the guide for free and find some tips to get you started on your new musical journey.

Nicole is a full time freelance writer specializing in Lifestyle, Arts, and Culture. Her passion is writing creative content for extraordinary people.