What kind of art is monet
Following convalescence, Monet's aunt intervened to get him out of the army if he agreed to complete a course at an art school. It is possible that the Dutch painter Johan Barthold Jongkind, whom Monet knew, may have prompted his aunt on this matter.
Article Wikipedia article References Wikipedia article. Wikipedia: en. Claude Monet Famous works. Women in the garden Claude Monet Impression, sunrise Claude Monet Autumn on the Seine at Argenteuil Claude Monet Haystacks at Giverny Claude Monet Haystack at Giverny Claude Monet Poplars at Giverny Claude Monet Antibes in the Morning Claude Monet Irises in Monet's Garden Claude Monet Waterloo Bridge, London Claude Monet Whereas the Barbizon artists painted only preliminary sketches en plein air , Monet often worked directly on large-scale canvases out of doors, then reworked and completed them in his studio.
His quest to capture nature more accurately also prompted him to reject European conventions governing composition, color, and perspective. He brought a vibrant brightness to his works by using unmediated colors, adding a range of tones to his shadows, and preparing canvases with light-colored primers instead of the dark grounds used in traditional landscape paintings.
In each series, Monet painted the same site again and again, recording how its appearance changed with the time of day. Light and shadow seem as substantial as stone in his Rouen Cathedral In , he reworked the canvases to their finished states.
In the s and s, Monet focused almost exclusively on the picturesque water-lily pond His final series depicts the pond in a set of mural-sized canvases where abstract renderings of plant and water emerge from broad strokes of color and intricately built-up textures.
He also received advice and support from Johann Barthold Jongkind, a landscape painter who proved to be an important influence to the young artist. Monet liked to work outdoors and was sometimes accompanied by Renoir, Sisley and Bazille on these painting sojourns. Monet won acceptance to the Salon of , an annual juried art show in Paris; the show chose two of his paintings, which were marine landscapes.
Though Monet's works received some critical praise, he still struggled financially. The following year, Monet was selected again to participate in the Salon. This time, the show officials chose a landscape and a portrait Camille or also called Woman in Green , which featured his lover and future wife, Camille Doncieux.
Doncieux came from a humble background and was substantially younger than Monet. She served as a muse for him, sitting for numerous paintings during her lifetime. The couple experienced great hardship around the birth of their first son, Jean, in Monet was in dire financial straits, and his father was unwilling to help them. Monet became so despondent over the situation that, in , he attempted suicide by trying to drown himself in the Seine River.
Fortunately, Monet and Camille soon caught a break: Louis-Joachim Guadibert became a patron of Monet's work, which enabled the artist to continue his work and care for his family. Monet and Camille married in June , and following the outbreak of the Franco-Prussian War, the couple fled with their son to London, England. There, Monet met Paul Durand-Ruel, who became his first art dealer. Returning to France after the war, in , Monet eventually settled in Argenteuil, an industrial town west of Paris, and began to develop his own technique.
During his time in Argenteuil, Monet visited with many of his artist friends, including Renoir, Pissarro and Edouard Manet—who, according to Monet in a later interview, at first hated him because people confused their names.
Monet sometimes got frustrated with his work. According to some reports, he destroyed a number of paintings—estimates range as high as works. Monet would simply burn, cut or kick the offending piece. In addition to these outbursts, he was known to suffer from bouts of depression and self-doubt. The society's April exhibition proved to be revolutionary. One of Monet's most noted works in the show, "Impression, Sunrise" , depicted Le Havre's harbor in a morning fog.
Critics used the title to name the distinct group of artists "Impressionists," saying that their work seemed more like sketches than finished paintings. While it was meant to be derogatory, the term seemed fitting. Monet sought to capture the essence of the natural world using strong colors and bold, short brushstrokes; he and his contemporaries were turning away from the blended colors and evenness of classical art.
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